Friday, June 30, 2006
what do you see,
a soprano? an Opera?
a dancer? a dance?
smoking? cloud?
hell or heaven?
a brain? a soul?
most of the time you saw what you think.
# posted by Chao=Sabiy : 12:34 AM
Wednesday, June 28, 2006
dissolving
By Seurat's painting, I really like the idea CELINE said about people and environments."I love the way the people seem to be dissolving into the background. It's like the environments are stronger than the people. His (Seurat) human figures always seem so transitory."
said CELINE.
main role in Richard Linklater & Kim Krizan's screenplay
left: La Siene a Courbevoie. c. 1885-86. Oil on canvas. Private collection.
right: A Sunday on La Grande Jatte. Detail. 1884-86. Oil on canvas. Art Institute of Chicago, Chicago, IL, USA.
[source: Olga's Gallery]
# posted by Chao=Sabiy : 9:28 AM
Tuesday, June 27, 2006
Monday, June 26, 2006
久違了，僅次於十六號的十七號針頭。
受人體溫的影響，血液的溫度約在 38~39 度，離開人體以後的血液，還有微溫，分離出來的血小板也是。
# posted by Chao=Sabiy : 11:50 PM
Sunday, June 25, 2006
love poem
daydream delusion
limousine eyelash
oh baby with your pretty face
drop a tear in my
wineglass
look at those big eyes on your face
see what you mean to me
sweet cakes and milk shakes
I'm a delusion angel
I'm a fantasy parade
I want you to know what I think
don't want you to guess anymore
you have no idea where we're going
lodged in life like branches in a river
flowing downstream
caught in the current
I'll carry you you carry
that's how it could be
don't you know me
don't you know me by now
written by HOMELESS POET.
limousine eyelash
oh baby with your pretty face
drop a tear in my
wineglass
look at those big eyes on your face
see what you mean to me
sweet cakes and milk shakes
I'm a delusion angel
I'm a fantasy parade
I want you to know what I think
don't want you to guess anymore
you have no idea where we're going
lodged in life like branches in a river
flowing downstream
caught in the current
I'll carry you you carry
that's how it could be
don't you know me
don't you know me by now
written by HOMELESS POET.
in Richard Linklater & Kim Krizan's screenplay <Before Sunrise>
----------
ha, there's no beautiful words or great rhetoric, but I think it's pretty sweet.
ha, there's no beautiful words or great rhetoric, but I think it's pretty sweet.
# posted by Chao=Sabiy : 12:44 PM
relationship
... for some people, there are no real good-byes. I think if you have a meaningful experience with someone else, a true communication, they are with you forever in a way. We are all a part of each other in ways we'll never know.
... I really believe that if there's any kind of god, he wouldn't be in any one of us－not you, not me－but just this space in between. If there's some magic in this world, it must be in the attempt of understanding someone else, sharing something, even if it's almost impossible to succeed. But who cares－the answer must be in the attempt.
said CELINE.
the main role in Richard Linklater & Kim Krizan's screenplay <Before Sunrise>
... I really believe that if there's any kind of god, he wouldn't be in any one of us－not you, not me－but just this space in between. If there's some magic in this world, it must be in the attempt of understanding someone else, sharing something, even if it's almost impossible to succeed. But who cares－the answer must be in the attempt.
said CELINE.
the main role in Richard Linklater & Kim Krizan's screenplay <Before Sunrise>
# posted by Chao=Sabiy : 12:24 PM
Friday, June 23, 2006
June06
2006
肢體音符舞團舞蹈教室
(Flora, Vela, 小得 and
Chao was in the class.)
I try hard to adapt myself to the whole condition and situation everyday. Something have changed, and some haven't. Things you love you cannot hold them forever, no? Everybody knows that they will change. They may disapper, as yourself in the end. Then, where comes the obsession? why do people choose to suffer from it again and again?
# posted by Chao=Sabiy : 9:15 AM
Wednesday, June 21, 2006
早上到 AIT 辦簽證，原來就打算撐一支拐杖乖乖和大家排隊曬太陽，但很快地警衛讓我跟他先走，我反應太慢沒全然會意，一進大廳又想排隊，結果陸續有人引我到這個窗口、那個窗口，不一會兒我就直接在大廳的特殊窗口完成面談和所有手續，連個別談話室都不用進去了。
# posted by Chao=Sabiy : 9:48 PM
Sunday, June 18, 2006
情歌
Although sometimes it's not so… artistic or reasonable in lyrics. Is Love Song the past or the present? (It's not the future.) Like cameras taking records and showing moving shots, by words and melodies, Love Song draws out those moments we've been touched deeply, those letters we want but couldn't utter, and those surprises, sweets and sores we're gonna smile at, cry over.
聽見 冬天的離開 我在某年某月醒過來
我想 我等 我期待 未來卻不能因此安排
陰天 傍晚 車窗外 未來有一個人在等待
向左 向右 向前看 愛要拐幾個彎才來
我遇見誰 會有怎樣的對白
我等的人 他在多遠的未來
我聽見風來自地鐵和人海
我排著隊 拿著愛的號碼牌
我往前飛 飛過一片時間海
我們也曾在愛情裡受傷害
我看著路 夢的入口有點窄
我遇見你是最美麗的意外
終有一天 我的謎底會揭開
─→易家揚／詞 林一峰／曲 孫燕姿 [遇見]
((Thank you, Rainy.))
Hey lady, you lady,
cursing at your life
You're a discontented mother
and a regimented wife
I've no doubt you dream about
the things you'll never do
But, I wish someone had talked to me
Like I wanna talk to you…
Oh, I've been to Georgia and California
and anywhere I could run
I took the hand of a preacher man
and we made love in the sun
But I ran out of places and friendly faces
because I had to be free
I've been to paradise
but I've never been to me
Please lady, please lady,
don't just walk away
Cause I have this need to tell you
why I'm all alone today
I can see so much of me
still living in your eyes
Won't you share a part of a weary heart
that has lived million lies…
Oh, I've been to Niece and the Isle of Greece
while I've sipped champagne on a yacht
I've moved like Harlow in Monte Carlo
and showed 'em what I've got
I've been undressed by kings
and I've seen some things
that a woman aint't supposed to see
I've been to paradise,
but I've never been to me
Hey, you know what paradise is? It's a lie, a fantasy we create
about people and places as we'd like them to be
But you know what truth is?
It's that little baby you're holding, it's that man you fought with this morning
The same one you're going to make love with tonight
That's truth, that's love……
Sometimes I've been to crying for unborn children
that might have made me complete
But I took the sweet life,
I never knew I'd be bitter from the sweet
I've spent my life exploring the subtle whoring
that costs too much to be free
Hey lady……
I've been to paradise, (I've been to paradise)
I've never been to me
─→Written by Ron Miller and Ken Hirsch Charlene [I've Never Been to Me]
((Thank you, Wei.))
聽見 冬天的離開 我在某年某月醒過來
我想 我等 我期待 未來卻不能因此安排
陰天 傍晚 車窗外 未來有一個人在等待
向左 向右 向前看 愛要拐幾個彎才來
我遇見誰 會有怎樣的對白
我等的人 他在多遠的未來
我聽見風來自地鐵和人海
我排著隊 拿著愛的號碼牌
我往前飛 飛過一片時間海
我們也曾在愛情裡受傷害
我看著路 夢的入口有點窄
我遇見你是最美麗的意外
終有一天 我的謎底會揭開
─→易家揚／詞 林一峰／曲 孫燕姿 [遇見]
((Thank you, Rainy.))
Hey lady, you lady,
cursing at your life
You're a discontented mother
and a regimented wife
I've no doubt you dream about
the things you'll never do
But, I wish someone had talked to me
Like I wanna talk to you…
Oh, I've been to Georgia and California
and anywhere I could run
I took the hand of a preacher man
and we made love in the sun
But I ran out of places and friendly faces
because I had to be free
I've been to paradise
but I've never been to me
Please lady, please lady,
don't just walk away
Cause I have this need to tell you
why I'm all alone today
I can see so much of me
still living in your eyes
Won't you share a part of a weary heart
that has lived million lies…
Oh, I've been to Niece and the Isle of Greece
while I've sipped champagne on a yacht
I've moved like Harlow in Monte Carlo
and showed 'em what I've got
I've been undressed by kings
and I've seen some things
that a woman aint't supposed to see
I've been to paradise,
but I've never been to me
Hey, you know what paradise is? It's a lie, a fantasy we create
about people and places as we'd like them to be
But you know what truth is?
It's that little baby you're holding, it's that man you fought with this morning
The same one you're going to make love with tonight
That's truth, that's love……
Sometimes I've been to crying for unborn children
that might have made me complete
But I took the sweet life,
I never knew I'd be bitter from the sweet
I've spent my life exploring the subtle whoring
that costs too much to be free
Hey lady……
I've been to paradise, (I've been to paradise)
I've never been to me
─→Written by Ron Miller and Ken Hirsch Charlene [I've Never Been to Me]
((Thank you, Wei.))
# posted by Chao=Sabiy : 11:37 PM
Saturday, June 17, 2006
The weak can never forgive.
Forgiveness is the attribute of the strong. －Mahatma Gandhi
# posted by Chao=Sabiy : 7:54 AM
Friday, June 16, 2006
I wrote this on a gift card to my friend:
《Les Miserable悲慘世界》其實就是在告訴我們～
我們存在的世界其實已經很美好！
若每個人都在心中放一個瞭知諸行無常的世界的話，
我想那一定更棒！
I know it's difficult, but I really believe that a serene world like this is not out of reach.
just if we...
# posted by Chao=Sabiy : 8:16 AM
Sunday, June 11, 2006
「歌舞中國」
大千世界裡，一個鮮為人知的故事，一個小人物、小團體的奮鬥歷程或許微不足道，但自己何嘗不也是一個小人物、一個小團體中的一份子？
梁一先生 1949 年從大陸逃到台灣，遇見了 50 年代風行的搖滾樂和金凱利 (Gene Kelly) ＠電影，於焉愛上 Jazz、踢躂舞，雖未受正式的舞蹈教育，可是他早早發現自己血液中對舞蹈的熱情，鼓足勇氣去親近、去學習，幾十年以自己的方式，從拜師學藝到奔忙歌舞廳事業，再由台灣重反改革開放前的中國；七十多歲的他還在跳，對於心中的舞蹈，依然毅力不搖、耕耘不斷。90 年代，他終於有機會在上海成立舞校、舞團，往夢的方向更近一步。
表面上我們看見的好像是，一個人帶領著一群人瘋狂追逐五光十色的舞臺，但真正去看，他們不是急近功利也不是貪求舞臺華美，我想如果沒有真誠、沒有堅毅的心，熱情只是短暫，飲水不思源、跌倒不敢再站起來，就算再多汗水淚水你也不會為之所動。導演以黑白色調呈現全片，除了這是以記錄為其一目的的電影外，在我看來，這恰好將娛樂歌舞總是強調俗艷炫目的外在色彩－那我們經常只選擇觀賞的部份－抽離，將專業和業餘的階級拋下，將時空、甚至是文化的間距拉近，剩下的，便是舞者晶透的汗水與眼淚，滿溢活力的呼吸、心跳，沒有偽裝的動作、笑容，和實實在在的感情與吶喊。
*
An American dance teacher said:
Most importantly, you have to be honest
with yourself when you dance,
because the audience can tell.
They can see you.
If you are an "artist", a "dancer" and
not just a "moving person", let them
experience what you've experienced,
let them read you, and let them see
what you have to show them.
Burning Dreams
歌舞中國
~記錄電影~
導演˙彭文淳 主演˙梁一、揚揚 夢工廠舞蹈學校
2005 天映娛樂發行
梁一先生 1949 年從大陸逃到台灣，遇見了 50 年代風行的搖滾樂和金凱利 (Gene Kelly) ＠電影，於焉愛上 Jazz、踢躂舞，雖未受正式的舞蹈教育，可是他早早發現自己血液中對舞蹈的熱情，鼓足勇氣去親近、去學習，幾十年以自己的方式，從拜師學藝到奔忙歌舞廳事業，再由台灣重反改革開放前的中國；七十多歲的他還在跳，對於心中的舞蹈，依然毅力不搖、耕耘不斷。90 年代，他終於有機會在上海成立舞校、舞團，往夢的方向更近一步。
表面上我們看見的好像是，一個人帶領著一群人瘋狂追逐五光十色的舞臺，但真正去看，他們不是急近功利也不是貪求舞臺華美，我想如果沒有真誠、沒有堅毅的心，熱情只是短暫，飲水不思源、跌倒不敢再站起來，就算再多汗水淚水你也不會為之所動。導演以黑白色調呈現全片，除了這是以記錄為其一目的的電影外，在我看來，這恰好將娛樂歌舞總是強調俗艷炫目的外在色彩－那我們經常只選擇觀賞的部份－抽離，將專業和業餘的階級拋下，將時空、甚至是文化的間距拉近，剩下的，便是舞者晶透的汗水與眼淚，滿溢活力的呼吸、心跳，沒有偽裝的動作、笑容，和實實在在的感情與吶喊。
*** * ***
「在我死之前，兩個心願一定要完成」梁一說。
「第一是，我要在紐約百老匯的劇院前當街起舞…
馬的，跳了一輩子的百老匯，結果連美國都沒去過」
「第二是，找到金凱利的墓碑，
深深向他一鞠躬致敬… 我欠他太多」
「在我死之前，兩個心願一定要完成」梁一說。
「第一是，我要在紐約百老匯的劇院前當街起舞…
馬的，跳了一輩子的百老匯，結果連美國都沒去過」
「第二是，找到金凱利的墓碑，
深深向他一鞠躬致敬… 我欠他太多」
*
An American dance teacher said:
Most importantly, you have to be honest
with yourself when you dance,
because the audience can tell.
They can see you.
If you are an "artist", a "dancer" and
not just a "moving person", let them
experience what you've experienced,
let them read you, and let them see
what you have to show them.
Burning Dreams
歌舞中國
~記錄電影~
導演˙彭文淳 主演˙梁一、揚揚 夢工廠舞蹈學校
2005 天映娛樂發行
# posted by Chao=Sabiy : 10:19 PM
Saturday, June 10, 2006
my blue
Wake up at dawn. I immerse myself in the sounds of heavy rain, though it is a bit clamorous today, and greet the comfortable climate, the airy tune of birds, or partly the feeling of overnight hunger. Outside there is a weightless blue brushing against my windows.
That color is close to this,
.
How gentle, liberal and peaceful, I will always remember.
That color is close to this,
.How gentle, liberal and peaceful, I will always remember.
# posted by Chao=Sabiy : 5:22 AM
Friday, June 09, 2006
Trying to walk on one crutch.
For my right femoral head,
trying not to expect too much, but stay optimistic.
# posted by Chao=Sabiy : 10:38 PM
These days I found a baby cockroach which is roaming in the bathroom. It happens near every night around 7 to 9. In fact, I don't even dispose to end its life and can't find out any way of murders either. Using my crutches? slippers? Or tracking and washing it to be drowned? I can't do so. Unless it meets someone else and has been assassinated by then, I think I probably will look it grows up.
# posted by Chao=Sabiy : 3:36 PM
Wednesday, June 07, 2006
June 06 2006, it was raining in the morning.
I was on my way from Panchiao to Shilin, and I took this when we were on the Huajiang Bridge.
I wonder how could I resist the beauty of mountains and do not intend to give them one more glimpse?
# posted by Chao=Sabiy : 10:51 PM
Tuesday, June 06, 2006
Body course 筆記
Jun-06-2006 9:00AM to 12:20PM
【Body course 筆記】
˙線
˙迴旋來自 緊Ｘ-->鬆Ｏ
˙一種不斷吐氣的過程
˙肌肉 放掉放掉
˙髖關節的活動空間有多大？
˙如何能夠，動作時只想一個部位主動－存在（Ex: coccyx, tailbone），但同時確知全身都是主動－存在？
˙落地即放
˙center Center center Original Organic
˙延伸的定義？ ～not to against the air, but go along with it
˙Gravity
˙剛錯過幾個很美的鏡頭
˙音樂究竟是什麼？
˙送 應該是個很美的字 有風
˙棍 vs 繩 譬如等長的一根棍子與一條繩子，使之作相類似的運動，如旋轉時，前者產生的線條不一定如後者長，後者產生的力量不一定如前者弱，操控性則繩較棍不易。故得，動作時想像如繩子一般的質感，而不是根棍子，或能達到可剛可柔、能屈能伸的彈性與活力；把意象消化在身心裡面，舞者，應該更能敏銳、誠懇、實在的理解、感受、享受在舞蹈之中。
˙每個人天生都是舞者，都有享受舞蹈過程的機運，而受過專業舞蹈教育的我們，無可否認地身上多了一種束縛，但是我想，即使有這樣無數的、從過去累積來的動作訓練之歷史的包袱，在體認己身所擁有超過一般的技巧能力以後，該要轉換角度去面對它、包容它，然後慢慢解放它，也可以彷彿落葉或者漣漪的自然舞蹈，歸零，至無，找到另一種屬於舞者的，唯一無二的享受之道。
(today's partners: 正芬姐, 薇如, 小得)
【Body course 筆記】
˙線
˙迴旋來自 緊Ｘ-->鬆Ｏ
˙一種不斷吐氣的過程
˙肌肉 放掉放掉
˙髖關節的活動空間有多大？
˙如何能夠，動作時只想一個部位主動－存在（Ex: coccyx, tailbone），但同時確知全身都是主動－存在？
˙落地即放
˙center Center center Original Organic
˙延伸的定義？ ～not to against the air, but go along with it
˙Gravity
˙剛錯過幾個很美的鏡頭
˙音樂究竟是什麼？
˙送 應該是個很美的字 有風
˙棍 vs 繩 譬如等長的一根棍子與一條繩子，使之作相類似的運動，如旋轉時，前者產生的線條不一定如後者長，後者產生的力量不一定如前者弱，操控性則繩較棍不易。故得，動作時想像如繩子一般的質感，而不是根棍子，或能達到可剛可柔、能屈能伸的彈性與活力；把意象消化在身心裡面，舞者，應該更能敏銳、誠懇、實在的理解、感受、享受在舞蹈之中。
˙每個人天生都是舞者，都有享受舞蹈過程的機運，而受過專業舞蹈教育的我們，無可否認地身上多了一種束縛，但是我想，即使有這樣無數的、從過去累積來的動作訓練之歷史的包袱，在體認己身所擁有超過一般的技巧能力以後，該要轉換角度去面對它、包容它，然後慢慢解放它，也可以彷彿落葉或者漣漪的自然舞蹈，歸零，至無，找到另一種屬於舞者的，唯一無二的享受之道。
(today's partners: 正芬姐, 薇如, 小得)
# posted by Chao=Sabiy : 10:40 PM
Monday, June 05, 2006
繼外甥去年初入小學後，很快地外甥女在今年九月就要跟進！姊姊剛接到入學通知時，心裡既開心又感嘆。她工作的病房近日出現一對小兄妹，年齡剛好和我家孩子相仿，比他們都小一歲，也就是哥哥應該與外甥女同年，一樣是要上小一的時候了；因為他們的阿媽住院，所以媽媽帶他們來探病。某天一位小姐（護士）帶著哥哥，教他／幫他刷牙，姊姊一看便納悶地問了究竟，才知道他們是原住民，因為太窮所以沒去上學，哥哥有一口天生潔白好看的牙，平常卻很少、也不會自己刷牙，所以護士想幫忙他；聽小妹妹說，她哥哥其實有讀大班（外甥女現在也是）呀，那為何上課時間人沒在幼稚園而到醫院來？他們的媽媽常常帶他們來以後就離開（工作去了？），兩個孩子於是留在病房裡，當那為自己的天地，閒蕩了起來……。有一次哥哥在護理站桌子上練習寫字，大家發現他的字多數歪扭難辯，自己的名字也還不會寫，想到同樣七歲的女兒，名字已經可以寫得有模有樣，甚至早開始自得其樂的造字或造句了！即使身經百戰的姊姊，心底也突來一陣酸疼，面對現實，有時真的欣慰與悲憐之心會不斷交集、碰撞，自己能做的努力與協助，其實只有一點點。
# posted by Chao=Sabiy : 11:58 PM
Sunday, June 04, 2006
平衡
Every motion is reaching for BALANCE.
手術後的三、四天或許是身心調適上最難受的階段，除了傷口不斷提醒你它的存在、它在 “活動” 以外，也是由於突然無法自由離開住所、任意行動之故，日常頓時受到許多限制。當然你該開心你還活著，你的腿仍有感覺，但卻得當作它不存在，存在的只有痛覺。行坐臥都要儘可能避免驚動它。
不得不，我重新意識到平衡這件事，非指舞蹈時的平衡感（或有時刻意打破的平衡狀態），而是日常動作的平衡。多數的我們很健康，父母給予健全的身體機能，所以「平衡」這件事輕而易舉，顯得渺小，即使你不否認其重要性，它仍舊微乎其微，不需刻意就能夠掌控它。即使熟能生巧，但我想兩支拐杖可以真正取代一條腿的程度，大約只有百分之一；而且，少用一條腿，整體影響出乎意料之大，左腳說沒有右腳作伴，往常功能也驟時被削減了一半，此刻原來高高在上的雙手（其實還有腹肌），就最好能夠淋漓盡致地發揮它們的潛能，施力、承重、制衡。
抱歉，好像一定得將身體每個部位分開來看，才能說的清楚。
雙手臂與雙杖在某種意義上，一齊替代了我右腿的工作，以致移動、走動時有點盪鞦韆的感覺。然而，畢竟腳˙踏˙實˙地，雙腳是身體平衡的專家，缺少它們隨時待命的支援，全身細胞、筋肉和骨骼等等合作平衡的機制，皆須重新調整。
身體常被比喻為一部機器，但事實上，它微細、精密、自動的特質和智慧的能力，或許遠遠超越我們長期累積的常識與知識。經驗就是想要讓你體認甚麼才降臨的吧！再有機會盪鞦韆的話，我想我的感受一定不同了。
手術後的三、四天或許是身心調適上最難受的階段，除了傷口不斷提醒你它的存在、它在 “活動” 以外，也是由於突然無法自由離開住所、任意行動之故，日常頓時受到許多限制。當然你該開心你還活著，你的腿仍有感覺，但卻得當作它不存在，存在的只有痛覺。行坐臥都要儘可能避免驚動它。
不得不，我重新意識到平衡這件事，非指舞蹈時的平衡感（或有時刻意打破的平衡狀態），而是日常動作的平衡。多數的我們很健康，父母給予健全的身體機能，所以「平衡」這件事輕而易舉，顯得渺小，即使你不否認其重要性，它仍舊微乎其微，不需刻意就能夠掌控它。即使熟能生巧，但我想兩支拐杖可以真正取代一條腿的程度，大約只有百分之一；而且，少用一條腿，整體影響出乎意料之大，左腳說沒有右腳作伴，往常功能也驟時被削減了一半，此刻原來高高在上的雙手（其實還有腹肌），就最好能夠淋漓盡致地發揮它們的潛能，施力、承重、制衡。
抱歉，好像一定得將身體每個部位分開來看，才能說的清楚。
雙手臂與雙杖在某種意義上，一齊替代了我右腿的工作，以致移動、走動時有點盪鞦韆的感覺。然而，畢竟腳˙踏˙實˙地，雙腳是身體平衡的專家，缺少它們隨時待命的支援，全身細胞、筋肉和骨骼等等合作平衡的機制，皆須重新調整。
身體常被比喻為一部機器，但事實上，它微細、精密、自動的特質和智慧的能力，或許遠遠超越我們長期累積的常識與知識。經驗就是想要讓你體認甚麼才降臨的吧！再有機會盪鞦韆的話，我想我的感受一定不同了。
# posted by Chao=Sabiy : 11:33 PM
原先我只注意到某種鳥或鴿的啼叫，一種很熟悉的聲音，讓我想起冬季內觀中心的早晨，我最喜歡的時刻。後來隱約看到竹簾後一波一動的線條，外面下起雨了，先是無聲的，然後越來越大，越來越強，強調它的力量。辰時短陣雨，難得平靜的世界。
# posted by Chao=Sabiy : 9:20 AM
Friday, June 02, 2006
Two weeks after the surgery. Now the wound is better in healing and not so painful. Thanks, finally!
No one knows how well the femur is going, even myself, but I got a fantasy that I can stand and walk on my own feet already. ... Need more patience!
# posted by Chao=Sabiy : 12:15 PM
Thursday, June 01, 2006
錯覺˙錯過的覺醒
覺醒是註定的？
忽然意識到自己三十歲了，有點失落，為甚麼不是三十五或四十？為甚麼不是更老一點？
為甚麼不在曾經動亂滄桑、道義為宗的歷史裡？
（很抱歉，這就是沒有活在當下的示範）
大概是回顧過往的瞬間，自責，發現認事以來已浪費許多時間、精神、力氣，
甚至是父母辛勤工作掙來的金錢等等，卻沒有學乖，沒有變得更聰明。
人人成長智慧的情形應該不一樣，但無論如何，沒有光陰等待空擲，沒有生命等待虛耗。
外頭綠樹有風吹雨潤，搖曳生氣，很想與之為伍，與風、與樹，
任風穿梭樹叢裡，波動撥弄，變生空間和力量，是生氣。是舞。
換作人生，就是琢磨智慧的過程。
小孩，有時還是不喜歡被看待成小孩的吧。
我猜，總是漸漸地，小孩的裡面自己會長出一個大人來。
一切只是暫時潛藏著。給它引導、給它自由，不要矇蔽或者阻擋。
忽然意識到自己三十歲了，有點失落，為甚麼不是三十五或四十？為甚麼不是更老一點？
為甚麼不在曾經動亂滄桑、道義為宗的歷史裡？
（很抱歉，這就是沒有活在當下的示範）
大概是回顧過往的瞬間，自責，發現認事以來已浪費許多時間、精神、力氣，
甚至是父母辛勤工作掙來的金錢等等，卻沒有學乖，沒有變得更聰明。
人人成長智慧的情形應該不一樣，但無論如何，沒有光陰等待空擲，沒有生命等待虛耗。
外頭綠樹有風吹雨潤，搖曳生氣，很想與之為伍，與風、與樹，
任風穿梭樹叢裡，波動撥弄，變生空間和力量，是生氣。是舞。
換作人生，就是琢磨智慧的過程。
小孩，有時還是不喜歡被看待成小孩的吧。
我猜，總是漸漸地，小孩的裡面自己會長出一個大人來。
一切只是暫時潛藏著。給它引導、給它自由，不要矇蔽或者阻擋。
# posted by Chao=Sabiy : 6:10 PM
